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Storyline The Insult
After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention.Movie details
Title : The InsultRelease : 2017-09-14
Genre : Drama, Crime
Runtime : 112
Company : E, R, T, S, D
Rating :
7.6 out of 10 From 257 Users
Homepage : Homepage Movie
Trailer : Video Trailer
Casts of The Insult
Adel Karam, Kamel El Basha, Rita Hayek, Christine Choueiri, Diamand Bou Abboud, Camille Salameh, Talal Jurdi, Julia Kassar, Rifaat Torbey, Carlos Chahine, Georges Daoud, Elie Njeim, Christina Farah,Words Change Everything
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All in all, "The Insult" is a fine courtroom drama, which keeps you at the edge of the seat. It is an almost perfect Lebanese movie, fairly cut even for international audience, well worth seeing. 106 of 121 people found this review helpful.
The Insult is a strong and thoughtful drama, one that has a lot to say on a number of social and political issues, while also providing engrossing entertainment as a courtroom drama.
The Insult (film) The Insult (Arabic: قضية رقم ٢٣, romanized: Qadiyya raqm 23, lit. 'Case No. 23', French: L'insulte) is a 2017 Lebanese drama film directed by Ziad Doueiri and co-written by Doueiri and Joelle Touma. It was screened in the main competition section of the 74th Venice International Film Festival.
Ziad Doueiri’s “The Insult,” which is shortlisted for the foreign-language film Oscar, plunges into the thicket of Lebanon’s sectarian divisions with a riveting courtroom drama that shows how even minor interpersonal tensions can boil over into national traumas. While the issues it engages are timely and important, the film’s claim to fame really comes from its terrific accomplishments on every front, from writing and directing to acting and cinematography.
The Insult Directed by Ziad Doueiri In today’s Beirut, a civilian dispute blown out of proportion finds Tony (Adel Karam), a Lebanese Christian, and Yasser (Kamel El Basha), a Palestinian refugee, facing off in court.
'The Insult,' from Lebanese director Ziad Doueiri ('The Attack'), is a courtroom thriller that explores questions of guilt, justice and honor in the Middle East.
In our first of five Oscar specials, Alicia Malone delves into the Best Documentary and Best Foreign Language film categories. Plus, in theaters see the indie horror 'Like Me,' and at home 'The Florida Project' or 'Professor Marston and the Wonder Women'.
The Insult is not read as a novel, but rather as two different books –a story inside of a story, with no relation between each other and only one thing in common: a growing darkness. The biggest merit of its author, Rupert Thomson, is to have given to its story its own voice.
The Insult is a strong and thoughtful drama, one that has a lot to say on a number of social and political issues, while also providing engrossing entertainment as a courtroom drama.
The Insult (film) The Insult (Arabic: قضية رقم ٢٣, romanized: Qadiyya raqm 23, lit. 'Case No. 23', French: L'insulte) is a 2017 Lebanese drama film directed by Ziad Doueiri and co-written by Doueiri and Joelle Touma. It was screened in the main competition section of the 74th Venice International Film Festival.
Ziad Doueiri’s “The Insult,” which is shortlisted for the foreign-language film Oscar, plunges into the thicket of Lebanon’s sectarian divisions with a riveting courtroom drama that shows how even minor interpersonal tensions can boil over into national traumas. While the issues it engages are timely and important, the film’s claim to fame really comes from its terrific accomplishments on every front, from writing and directing to acting and cinematography.
The Insult Directed by Ziad Doueiri In today’s Beirut, a civilian dispute blown out of proportion finds Tony (Adel Karam), a Lebanese Christian, and Yasser (Kamel El Basha), a Palestinian refugee, facing off in court.
'The Insult,' from Lebanese director Ziad Doueiri ('The Attack'), is a courtroom thriller that explores questions of guilt, justice and honor in the Middle East.
In our first of five Oscar specials, Alicia Malone delves into the Best Documentary and Best Foreign Language film categories. Plus, in theaters see the indie horror 'Like Me,' and at home 'The Florida Project' or 'Professor Marston and the Wonder Women'.
The Insult is not read as a novel, but rather as two different books –a story inside of a story, with no relation between each other and only one thing in common: a growing darkness. The biggest merit of its author, Rupert Thomson, is to have given to its story its own voice.
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